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Articles

1. Caquard, S. and Taylor, D.R.F. (2009). What is Cinematic Cartography? The Cartographic Journal, 46(1), pp.5–8.

2.Roberts, L. (2012).  Cinematic Cartography: Projecting Place Through Film. In Mapping Cultures (pp. 68-84),

Palgrave Macmillan, London.

3. Lieberman, E.(1991).Intergrating GIS, simulation and animation. In Proceedings of the 23rd conference on Winter simulation (pp. 771-775), IEEE Computer Society

4.AHMADABADI, A., AZARI, M., SOFLA, N.S., AZHAND, M. and AZIMI, Y. (2014). A Geographic Information System - Based Decision Support System For Site Selecting of Cinema: An example from Tehran, IranIndian J. Sci. Res, 4(3), pp.405-408

5.Lukinbeal, C. (2018). The mapping of '500 Days of Summer': a processual approach to cinematic cartography, NECSUS: European Journal of Media Studies, 7(2), pp. 97–120.

6.Ng-Chan, T. (2015).Mapping out Patience: Cartography, Cinema and W.G. Sebald. Humanities 4, 554–568

7. Nelson, J. and Attwood , P. (2026). Movies and Television – The Map Room. Maproomblog.com. Available at: https://www.maproomblog.com/category/movies-and-television/

8.A. (2020). Around The World In Eighty Days – Google My Maps, Google Maps. Available at: https://www.google.com/maps

9.Coimín, M.Ó. (2022). Artist’s beautiful Irish language map of Ireland inspired by ‘Lord of the Rings’. IrishCentral.com. Available at:

10. Duke, B. A. (2012). 7 GIS Goes Around The World in 8o Days, National Geographic Education. Available at: https://www.nationalgeographic.org/education/

11. Castro, T. (2009).Cinema’s mapping impulse: Questioning visual culture. The Cartographic Journal 46(1): 9–15.

12. Snickars, P. and Björkin, M. (2002). Early Swedish (Non-fiction) Cinema and Cartography.Historical Journal of Film, Radio and Television, pp.275-290.

13. Caquard, S. and Cartwright, W., (2014). Narrative Cartography: From Mapping Stories to the Narrative of Maps and Mapping.The Cartographic Journal, [online] 51(2), pp.101-106. [Accessed 23 May 2021].

14. Caquard, S., (2009). Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films. The Cartographic Journal, [online] 46(1), pp.46-55.

15.White, M. and Rosenquist, E., (1995). Following the White Bronco: Where Were the TV Maps? Cartography and Geographic Information Systems, [online] 22(2), pp.163-167.

16. Caquard, S. and Bryne, A., (2009). Mapping globalization: A conversation between a filmmaker and a cartographer. The Cartographic Journal, 46(4), pp. 372–378. [ebook] 

17. Barnet, M., (2012). ‘Elles-Ils Islands’: Cartography of Lives and Deaths by Agnès Varda, L’Esprit Créateur, 51(1), pp.97-111.

18. Liotta S., (2018). A Critical Study on Tokyo: Relations Between Cinema, Architecture, and Memory A Cinematic Cartography, Journal of Asian Architecture and Building Engineering, 6(2), pp. 205–212​

19. Caquard S., Piatti B., Cartwright W., (2013). Special Issue on Art & Cartography, The Cartographic Journal, 46(4), pp. 289-291

20. Caquard, S. and Fiset, J.-P. (2014) ‘How can we map stories? A cybercartographic application for narrative cartography’, Journal of Maps, 10(1), pp. 18–25. 

21. Roth, R. E. (2021) ‘Cartographic Design as Visual Storytelling: Synthesis and Review of Map-Based Narratives, Genres, and Tropes’, The Cartographic Journal, 58(1), pp. 83–114.

22. Cornwell, B. (1966) ‘Possibilities for Computer Animated Films in Cartography’, The Cartographic Journal, 3(2), pp. 79–82.

23. Bennett, B. (2013). ‘The normativity of 3D: cinematic journeys, “imperial visuality” and unchained cameras’, Jump Cut: A Review of Contemporary Media, 55. Available at: https://www.ejumpcut.org/archive/jc55.2013/Bennett-3D/

24. Imola Mikó . (2010). A lightning-image of the kaleidoscope: a review of Päsi Valiaho's Mapping the Moving Image, New Review of Film and Television Studies, 8:4, 448-453.

25. Benjamin, B. A. and Pillai, M. T. (2023). ‘Mira Nair and the Cinema of Postcolonial Spectacle’, in Viswamohan, A. I. (ed.) Women Filmmakers in Contemporary Hindi Cinema. Cham: Palgrave Macmillan, pp. 179–192.

26.Yiğit, O. (2019)Mapping the cinematic city. Adana in Yilmaz Güney’s film, Communication & Methods, 1(2), pp. 209–220. 

27.Caquard, S. and Wright, B. (2009) . Challenging the digital cartographic continuity system: Lessons from cinema, Lecture Notes in Geoinformation and Cartography, pp. 1–14. doi:10.1007/978-3-540-68569-2_16. 

28.Muehlenhaus, I. (2014). Looking at the big picture: Adapting film theory to examine map form, meaning, and aesthetic , Cartographic Perspectives, (77), pp. 46–66. 

29. Lin, C.-J. (2022). ‘From map to movie: A cinematic cartography of China’, Asian Film Archive. Available at: https://asianfilmarchive.org/from-map-to-movie-a-cinematic-cartography-of-china/

30. Aitken, S. C. and Dixon, D. P. (2006). ‘Imagining geographies of film’, Erdkunde, 60(4), pp. 326–336.

31.Kennedy, C. and Lukinbeal, C. (1997) .Towards a holistic approach to geographic research on film, Progress in Human Geography, 21(1), pp. 33–50. 

32.Caquard, S. and Wright, B. Challenging the digital cartographic continuity system: Lessons from cinema, Lecture Notes in Geoinformation and Cartography, pp. 1–14. 

33. Tally, R. T. (2016). ‘Tolkien’s Geopolitical Fantasy: Spatial Narrative in The Lord of the Rings’, in Fletcher, L. (ed.) Popular Fiction and Spatiality: Reading Genre Settings. New York: Palgrave Macmillan, pp. 125–140.

34.Caquard, S. and Wright, B. (2009). Challenging the digital cartographic continuity system: Lessons from cinema, Lecture Notes in Geoinformation and Cartography, pp. 1–14. 

35. Lukinbeal, C. (2004). ‘The map that precedes the territory: An introduction to essays in Cinematic geography’, GeoJournal, 59(4), pp. 247–251.

36. Snickars, P. and Björkin, M. (2002). ‘Early Swedish (non-fiction) cinema and Cartography’, Historical Journal of Film, Radio and Television, 22(3), pp. 275–290. 

37. Ings, W. (2023). ‘Fictional mapping: the nature of cartography in film production’, Visual Communication, 23(4), pp. 745–757.

38. Caquard, S. (2009) ‘Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films’, The Cartographic Journal, 46(1), pp. 46–55.

39. Ng-Chan, T. (2015) ‘Mapping out Patience: Cartography, Cinema and W.G. Sebald’, Humanities, 4(4), pp. 554–568.

40. Golden, S.M. (2017) ‘Cinematic approaches to mapping spatial narratives’, in Maver, T., Chapman, P., Platt, C., Portela, R. and Eaton, D. (eds) Envisioning Architecture: Space / Time / Meaning. Glasgow: Glasgow School of Art, pp. 269–276.

41. Lukinbeal, C. & Sommerlad, E. (2022) ‘Doing film geography’, GeoJournal, 87 (Suppl 1), pp. 1–9.

42. James, B.E. (2023) ‘A geography of the screen: mapmaking as bridge between film and curatorial production processes’, Arts, 12(3), 94.

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