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Articles

1. Caquard, S. and Taylor, D.R.F. (2009). What is Cinematic Cartography? The Cartographic Journal, 46(1), pp.5–8.

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2.Roberts, L. (2012).  Cinematic Cartography: Projecting Place Through Film. In Mapping Cultures (pp. 68-84),

Palgrave Macmillan, London.

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3. Lieberman, E.(1991).Intergrating GIS, simulation and animation. In Proceedings of the 23rd conference on Winter simulation (pp. 771-775), IEEE Computer Society

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4.AHMADABADI, A., AZARI, M., SOFLA, N.S., AZHAND, M. and AZIMI, Y. (2014). A Geographic Information System - Based Decision Support System For Site Selecting of Cinema: An example from Tehran, Iran, Indian J. Sci. Res, 4(3), pp.405-408

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5.Lukinbeal, C. (2018). The mapping of '500 Days of Summer': a processual approach to cinematic cartography, NECSUS: European Journal of Media Studies, 7(2), pp. 97–120.

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6.Ng-Chan, T. (2015).Mapping out Patience: Cartography, Cinema and W.G. Sebald. Humanities 4, 554–568

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7. Nelson, J. and Attwood , P. (2026). Movies and Television – The Map Room. Maproomblog.com. Available at: https://www.maproomblog.com/category/movies-and-television/

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8.A. (2020). Around The World In Eighty Days – Google My Maps, Google Maps. Available at: https://www.google.com/maps​

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9.Coimín, M.Ó. (2022). Artist’s beautiful Irish language map of Ireland inspired by ‘Lord of the Rings’. IrishCentral.com. Available at:

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10. Duke, B. A. (2012). 7 GIS Goes Around The World in 8o Days, National Geographic Education. Available at: https://www.nationalgeographic.org/education/

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11. Castro, T. (2009).Cinema’s mapping impulse: Questioning visual culture. The Cartographic Journal 46(1): 9–15.

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12. Snickars, P. and Björkin, M. (2002). Early Swedish (Non-fiction) Cinema and Cartography.Historical Journal of Film, Radio and Television, pp.275-290.

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13. Caquard, S. and Cartwright, W., (2014). Narrative Cartography: From Mapping Stories to the Narrative of Maps and Mapping.The Cartographic Journal, [online] 51(2), pp.101-106. [Accessed 23 May 2021].

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14. Caquard, S., (2009). Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films. The Cartographic Journal, [online] 46(1), pp.46-55.

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15.White, M. and Rosenquist, E., (1995). Following the White Bronco: Where Were the TV Maps? Cartography and Geographic Information Systems, [online] 22(2), pp.163-167.

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16. Caquard, S. and Bryne, A., (2009). Mapping globalization: A conversation between a filmmaker and a cartographer. The Cartographic Journal, 46(4), pp. 372–378. [ebook] 

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17. Barnet, M., (2012). ‘Elles-Ils Islands’: Cartography of Lives and Deaths by Agnès Varda, L’Esprit Créateur, 51(1), pp.97-111.

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18. Liotta S., (2018). A Critical Study on Tokyo: Relations Between Cinema, Architecture, and Memory A Cinematic Cartography, Journal of Asian Architecture and Building Engineering, 6(2), pp. 205–212​​

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19. Caquard S., Piatti B., Cartwright W., (2013). Special Issue on Art & Cartography, The Cartographic Journal, 46(4), pp. 289-291

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20. Caquard, S. and Fiset, J.-P. (2014) ‘How can we map stories? A cybercartographic application for narrative cartography’, Journal of Maps, 10(1), pp. 18–25. 

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21. Roth, R. E. (2021) ‘Cartographic Design as Visual Storytelling: Synthesis and Review of Map-Based Narratives, Genres, and Tropes’, The Cartographic Journal, 58(1), pp. 83–114.

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22. Cornwell, B. (1966) ‘Possibilities for Computer Animated Films in Cartography’, The Cartographic Journal, 3(2), pp. 79–82.

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23. Bennett, B. (2013). ‘The normativity of 3D: cinematic journeys, “imperial visuality” and unchained cameras’, Jump Cut: A Review of Contemporary Media, 55. Available at: https://www.ejumpcut.org/archive/jc55.2013/Bennett-3D/

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24. Imola Mikó . (2010). A lightning-image of the kaleidoscope: a review of Päsi Valiaho's Mapping the Moving Image, New Review of Film and Television Studies, 8:4, 448-453.

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25. Benjamin, B. A. and Pillai, M. T. (2023). ‘Mira Nair and the Cinema of Postcolonial Spectacle’, in Viswamohan, A. I. (ed.) Women Filmmakers in Contemporary Hindi Cinema. Cham: Palgrave Macmillan, pp. 179–192.

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26.Yiğit, O. (2019) ‘Mapping the cinematic city. Adana in Yilmaz Güney’s film’, Communication & Methods, 1(2), pp. 209–220. 

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27.Caquard, S. and Wright, B. (2009) . Challenging the digital cartographic continuity system: Lessons from cinema, Lecture Notes in Geoinformation and Cartography, pp. 1–14. doi:10.1007/978-3-540-68569-2_16. 

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28.Muehlenhaus, I. (2014). Looking at the big picture: Adapting film theory to examine map form, meaning, and aesthetic , Cartographic Perspectives, (77), pp. 46–66. ​

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29. Lin, C.-J. (2022). ‘From map to movie: A cinematic cartography of China’, Asian Film Archive. Available at: https://asianfilmarchive.org/from-map-to-movie-a-cinematic-cartography-of-china/

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30. Aitken, S. C. and Dixon, D. P. (2006). ‘Imagining geographies of film’, Erdkunde, 60(4), pp. 326–336.

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31.Kennedy, C. and Lukinbeal, C. (1997) .‘Towards a holistic approach to geographic research on film’, Progress in Human Geography, 21(1), pp. 33–50. 

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32.Caquard, S. and Wright, B. ‘Challenging the digital cartographic continuity system: Lessons from cinema’, Lecture Notes in Geoinformation and Cartography, pp. 1–14. 

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33. Tally, R. T. (2016). ‘Tolkien’s Geopolitical Fantasy: Spatial Narrative in The Lord of the Rings’, in Fletcher, L. (ed.) Popular Fiction and Spatiality: Reading Genre Settings. New York: Palgrave Macmillan, pp. 125–140.

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34.Caquard, S. and Wright, B. (2009). ‘Challenging the digital cartographic continuity system: Lessons from cinema’, Lecture Notes in Geoinformation and Cartography, pp. 1–14. 

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35. Lukinbeal, C. (2004). ‘The map that precedes the territory: An introduction to essays in Cinematic geography’, GeoJournal, 59(4), pp. 247–251.

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36. Snickars, P. and Björkin, M. (2002). ‘Early Swedish (non-fiction) cinema and Cartography’, Historical Journal of Film, Radio and Television, 22(3), pp. 275–290. 

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37. Ings, W. (2023). ‘Fictional mapping: the nature of cartography in film production’, Visual Communication, 23(4), pp. 745–757.

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38. Caquard, S. (2009) ‘Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films’, The Cartographic Journal, 46(1), pp. 46–55.

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39. Ng-Chan, T. (2015) ‘Mapping out Patience: Cartography, Cinema and W.G. Sebald’, Humanities, 4(4), pp. 554–568.

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40. Golden, S.M. (2017) ‘Cinematic approaches to mapping spatial narratives’, in Maver, T., Chapman, P., Platt, C., Portela, R. and Eaton, D. (eds) Envisioning Architecture: Space / Time / Meaning. Glasgow: Glasgow School of Art, pp. 269–276.

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41. Lukinbeal, C. & Sommerlad, E. (2022) ‘Doing film geography’, GeoJournal, 87 (Suppl 1), pp. 1–9.

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42. James, B.E. (2023) ‘A geography of the screen: mapmaking as bridge between film and curatorial production processes’, Arts, 12(3), 94.

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