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Articles

1. What is Cinematic Cartography?

Caquard, S. and Taylor, D.F., 2009,

What is cinematic cartography?

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2. Cinematic Cartography: Projecting Place Through Film.

Roberts, L., 2012,

Cinematic cartography: projecting place through film. In Mapping Cultures (pp. 68-84),

Palgrave Macmillan, London. 

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3. Intergrating GIS, simulation and animation.

Lieberman, E., 1991, December. Integrating GIS, simulation and animation,

In Proceedings of the 23rd conference on Winter simulation (pp. 771-775),

IEEE Computer Society

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4. A Geographic Information System - Based Decision Support System For Site Selecting of Cinema: An example from Tehran, Iran,

AHMADABADI, A., AZARI, M., SOFLA, N.S., AZHAND, M. and AZIMI, Y., 2014. A GEOGRAPHIC INFORMATION SYSTEMS-BASED DECISION SUPPORT SYSTEMFOR SITE SELECTING OF CINEMA: AN EXAMPLE FROM TEHRAN, IRAN,

Indian J. Sci. Res, 4(3), pp.405-408

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5. The mapping of '500 Days of Summer': a processual approach to cinematic cartography, Lukinbeal, C.,2018

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6. Mapping out Patience: Cartography, Cinema and W.G. Sebald. 

Ng-Chan, T., 2015. Mapping out Patience: Cartography, Cinema and W.G. Sebald. Humanities 4, 554–568

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7. The Map Room. 2020. Movies And Television. 

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8. Around The World In Eighty Days – Google My Maps.Maps, A., 2020.

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9. Star Wars Galaxy Map: EXPLORE THE GALAXY FAR, FAR AWAY. 2020. Star Wars Galaxy Map.

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10. Star Wars Maps: Charting The Galaxy | Starwars.ComBeentjes, K. and Beentjes, K., 2020.

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11. Artist Creates Beautiful Irish Language Map Of Ireland Inspired By Lord Of The RingsIrishCentral.com.2020. 

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12. 7 GIS Goes Around The World in 8o DaysBarbaree Ash Duke2012.

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13. Cinema’s mapping impulse: Questioning visual culture.

Castro, T (2009) Cinema’s mapping impulse: Questioning visual culture. The Cartographic Journal 46(1): 9–15.

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14. Early Swedish (Non-fiction) Cinema and Cartography.

Snickars, P. and Björkin, M., 2002. Early Swedish (Non-fiction) Cinema and Cartography. Historical Journal of Film, Radio and Television, [online] 22(3), pp.275-290. [Accessed 10 May 2021].

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15. Narrative Cartography: From Mapping Stories to the Narrative of Maps and Mapping.

Caquard, S. and Cartwright, W., 2014. Narrative Cartography: From Mapping Stories to the Narrative of Maps and Mapping. The Cartographic Journal, [online] 51(2), pp.101-106. [Accessed 23 May 2021].

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16. Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films.

Caquard, S., 2009. Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films. The Cartographic Journal, [online] 46(1), pp.46-55. [Accessed 1 June 2021].

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17. Following the White Bronco: Where Were the TV Maps?

White, M. and Rosenquist, E., 1995. Following the White Bronco: Where Were the TV Maps?. Cartography and Geographic Information Systems, [online] 22(2), pp.163-167. [Accessed 7 June 2021].

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18. Caquard, S. and Bryne, A., 2009. Mapping globalization: A conversation between a filmmaker and a cartographer. [ebook] pp.372-378.[Accessed 1 January 2022].

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19. Barnet, M., 2012. ‘Elles-Ils Islands’: Cartography of Lives and Deaths by Agnès Varda. pp.97-111.

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20. Liotta S.,2018. A Critical Study on Tokyo: Relations Between Cinema, Architecture, and Memory A Cinematic Cartography.

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21. Caquard S., Piatti B., Cartwright W., 2013. Special Issue on Art & Cartography. pp. 289-291

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22. Caquard S., 2013. How can we map stories? A cybercartographic application for narrative cartography. pp. 18-25

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23. Roth R., 2020. Cartographic Design as Visual Storytelling: Synthesis and Review of Map-Based Narratives, Genres, and Tropes. pp.83-114

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24. Cornwell B., 2013. Possibilities for Computer Animated Films in Cartography. pp.79-82.

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25. Bennett, B. 2013. Jump cut a review of Contemporary Media, The normativity of 3D: cinematic journeys, “imperial visuality” and unchained cameras.

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26. Imola Mikó (2010) A lightning-image of the kaleidoscope: a review of Päsi Valiaho's Mapping the Moving Image, New Review of Film and Television Studies, 8:4, 448-453.

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27. Benjamin, B.A. and Pillai, M.T., 2023. Mira Nair and the Cinema of Postcolonial Spectacle. In Women Filmmakers in Contemporary Hindi Cinema: Looking through their Gaze (pp. 179-192). Cham: Springer International Publishing.

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28.YiÄŸit, O. (2019) ‘Mapping the cinematic city. Adana in Yilmaz Güney’s film’, Communication & Methods, 1(2), pp. 209–220. doi:10.35951/v1i2.39. 

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29.Caquard, S. and Wright, B. (2009) ‘Challenging the digital cartographic continuity system: Lessons from cinema’, Lecture Notes in Geoinformation and Cartography, pp. 1–14. doi:10.1007/978-3-540-68569-2_16. 

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30.Muehlenhaus, I. (2014) ‘Looking at the big picture: Adapting film theory to examine map form, meaning, and aesthetic’, Cartographic Perspectives, (77), pp. 46–66. doi:10.14714/cp77.1239. 

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31.Sharp, L. (2018). 

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32.Lin, C.J. (2022) From Map to Movie: A Cinematic Cartography of China [Preprint]. 

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33.Aitken, S. and Dixon, D. (2006) Imagining Geographies of Film [Preprint]. 

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34.Kennedy, C. and Lukinbeal, C. (1997) ‘Towards a holistic approach to geographic research on film’, Progress in Human Geography, 21(1), pp. 33–50. doi:10.1191/030913297673503066. 

 

35.Caquard, S. and Wright, B. (no date) ‘Challenging the digital cartographic continuity system: Lessons from cinema’, Lecture Notes in Geoinformation and Cartography, pp. 1–14. doi:10.1007/978-3-540-68569-2_16. 

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36.Tally, R.T. (1970) Tolkien’s geopolitical fantasy: Spatial narrative in the lord of the Rings, SpringerLink. Available at: https://link.springer.com/chapter/10.1057/978-1-137-56902-8_9 (Accessed: 31 January 2024). 

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37.Caquard, S. and Wright, B. (2009) ‘Challenging the digital cartographic continuity system: Lessons from cinema’, Lecture Notes in Geoinformation and Cartography, pp. 1–14. doi:10.1007/978-3-540-68569-2_16. 

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